February 10, 2011

GOSICK: Mental Mastications

WARNING *****Spoilerific***** WARNING

I doubt I'll be doing a lot with this site -- because of time constraints more than anything else -- but it seemed like a good place to unload some of the ideas that have been chewing at me in relation to this show. Hopefully, I'll be able to figure out how to post this in a readable manner. (No blogpro, I.) And if the comments actually work as well, please feel free to opine, criticize, and poke fun. Now, on to it --

"Gosick" is either one of the most sloppily written, pay-no-attention-to-details mystery stories that I've ever watched -- or it isn't. If it IS, then all of the little oddities I recount below need no explication. They're just isolated incidents designed to move the immediate "plot" along, or quirky stuff thrown out for atmosphere. On the other hand, if it ISN'T...if the people behind this series actually have their hand on the tiller of the plot...THEN there's some very interesting stuff going on beneath the surface here. Honestly, it's probably the former...but I'm still going to hope for the latter.

Some of the items below are just points that struck me funny, with no real explanations or analysis included. Others I've added some of my own cogitations to. Don't expect any kind of coherent narrative at this stage (Episode 5). I'll summarize a few of my thoughts/speculations at the end.

And please note the header. This whole thing is rife with spoilers. If you haven't watched the episodes, and don't want to be spoiled...well, you get the idea.

Episode 1

The introduction to the first episode points out that the Academy where most of our action takes place is "THE educational institution for the children of the aristocracy." Important? Dunno. Maybe.

Despite being presented as primarily a well-intentioned air-head, Miss Cecile seems to be at the right place at the right time to get a lot of things moving. The first thing we see her say to Kujo is, "I think you should read ghost stories." Gee, now...where would he find those, do ya suppose? Victorique tells Kujo he'll return the next day at the stroke of noon, and the next day Miss Cecile "just happens" to be talking to Kujo on a bench by the library with a stack of handouts for Victorique right around noon. In Episode 4, it's Miss Cecile who directs Kujo and "Avril" to the crypt, the scene of the next incident. Then in Episode 5, it's she who "just happens" to find the discarded book and keeps Kujo around the crypt long enough for a noise to attract his attention. Maybe this is all just chance, or maybe it's a benign conspiracy, in that she's just trying to get the lonely Victorique a friend...or maybe it's something more involved.

Miss Cecile's line that "Even the political world has a Ministry of the Occult," strikes me as a seeming throw-away line that might have deeper implications later on.

Victorique was NOT hiding from Kujo. Does Miss Cecile talk much to her? What kind of relationship do THEY have? Could they have coordinated the "maneuver" on Kujo? Victorique tells Kujo that he was "chosen." That may be literally true. Victorique may think he was chosen by her. That may only be partly true.

According to Grevil, on the night of Roxanne's murder, the granddaughter "just happened" to drop by for a visit.

A mirror was shot. Victorique calls it a "magic mirror." She uses a similar phrase when first talking to Kujo, speaking of her "premonition" of his arrival.

The same granddaughter who is so greedy that she forbids the manservant from using the axe on Roxanne's door because it might now be her property, the very next day simply gives away to Grevil what must be a very expensive yacht. The same yacht which "just happens" to have Roxanne's invitation on it.

Kujo mentions that the Inspector "seems uneasy about something."

Victorique doesn't get permission to go outside without Grevil's "influence." She is allowed to accompany Kujo to the yacht, from which the Inspector is conveniently called away by the maids "escape," allowing Victorique to investigate the yacht unhindered.

Why did Victorique want to take so much stuff? Was she considering escaping her "prison?"

Episode 2

In the dining room on the ship, there were no plates or glasses close to Kujo. Why was he rendered unconscious if all he ate was a roll?

How could Julie have moved all of those unconscious males all by herself?

Ned specifically holds Maurice from going into the lifeboat.

Maurice asks Victorique if they've met somewhere before. She clearly reminds him of somebody. (Her mother, perhaps?}

Kujo is stopped from going into the elevator by a shout from someone (Maurice or Ned?).

Julie seems very interested in the relationship between Victorique and Kujo, especially at a time when one would expect her to have other matters on her mind.

Episode 3

Why doesn't Julie shoot Ned, or at least prevent him from picking up the pistol? She knows he was the hound the last time. All the other malefactors are dead. Why not deal with him then and there? Why throw away HER gun?

Why doesn't Ned use the axe on Julie? Why does he just throw her aside?

We don't actually see the stroke when Julie puts the axe into Ned's back. There's certainly not a LOT of blood. Then he conveniently falls over the side.

In the flashback to the first incident, it appeared to be Julie who checked that Ned was dead.

The young girl Julie helps on-board the ship - Lee - turns out to be the maid who murdered Roxanne. What a coincidence that she chose to act at precisely the same time as Julie's plot unfolds. Tenth anniversary motivation? Well, maybe....

Victorique's mother was seen as a "dangerous figure" by "the government." Why? Illegitimate offspring of the aristocracy were generally considered embarrassments at that time, but hardly worth the kind of treatment Victorique received. (The days of successor-assassinations had pretty much passed.)

Victorique was originally "isolated deep inside the Blois family mansion," but then eventually allowed to attend the academy. Something doesn't add up there.

Episode 4

When showing the motorcyclist's death, it was pretty obvious what happened to him. Why didn't they present the scene in such a way that it made the death more inexplicable, at least on first glance? Would have been easy enough to do with a simple change of perspective and detail. It seemed to me a way of telegraphing the message that the death was not the real mystery at all.

WHY wouldn't the blond charged with the rider's death say why she did it? In most such situations, the perpetrator is anxious to justify their actions.

Once again, it's Miss Cecile who directs Kujo and "Avril" to the crypt, the scene of the next incident.

Victorique spins her tale for Grevil.

Victorique tells Grevil to look into the relationship between Millie Marl and Maxim, but we never hear any follow-up on that. This is the second incidence of questionable motivations in this one episode.

"A gray wolf tells me," says Grevil.

At the end of this episode, Kujo asks himself again a question he's posed before concerning Victorique: "Who are you...really?" This is THE critical question.

Episode 5

When Victorique's climbing the stairs, is every step she counts in a different language? If so, is she conversant in all of them? If so...awesome!

The book in question is "The Golden Fairy of the Library?" THAT's the tome Avril's father (or Maxim) "just happened" to choose to secret the postcard in? REALLY???

The presence of Phantom Thief Kuiaran disturbs Grevil enough to knock him out of his usual mood (or to drop his usual pose). Possibly an issue he'd thought dealt with previously?

Miss Cecile again "just happens" to be on-hand to find the book and keep Kujo around the crypt until a noise attracts his attention. Did she deem it important that HE find Avril?

Maxim was a blond, too. A lot of blondage going around.

WHY would Maxim/Kuiaran choose to hide his stolen treasures on the grounds of a public academy? Was he working for himself...or on assignment? Was he getting greedy? (Even someone plotting to take over the world may find it hard to shake their taste for fine things that don't belong to them.)

In Summary

The whole incident with the Queen Berry seems to me a half-told tale. Was it really all about revenge, or was it about eliminating witnesses to the first crime who were no longer useful? Was the first incident even about a real augury? Or was it a clever plot to convince credulous politicians that occult powers were real, and so gain influence in the government? Did the Ministry of the Occult exist prior to 1914, or was it created afterwards? Certainly, it would take a mastermind of unparalleled genius to foresee the coming world conflict, and figure out who the likely winners would be, and then rig the outcome of the events on the Queen Berry appropriately...though the latter would be easier if there were more than one Hound involved. Who such an evil genius could be one can only speculate. One with the precisionist-grade mind of a mathematician might be a good candidate. (Predicting the outcome of the War might have been easier for the Mastermind in question if he could control when the conflict started by, say...setting up an assassination.)

It almost seems to me that Victorique and Kujo were maneuvered to be aboard the ship during this latter incident, although for what purpose even I can't come up with. Were they being "evaluated?" Does someone have "plans" for Victorique? And if so, was Kujo originally a part of those plans, or is he perhaps a "random" variable? Or...someone added by another faction? One wonders what Kujo's older brother might have been doing during the war.

It also occurs to me that, for someone interested in influencing world events, being in charge of a school where the elite of the aristocracy send their children might be a useful thing.

If all these little oddities that struck me are NOT just sloppy writing...and if Victorique is as smart as she seems to be...then it's more than a little surprising that she would not see these elements of chaos still remaining in the explanations she gives. Is it possible that she knows that the game is afoot? And that she wants Grevil (and others) to believe that she's only seeing the surfaces of things? That she doesn't perceive the deeper currents? At the end of Episode 4 Grevil says, "A gray wolf tells me..." Is he suspicious that he's being played? If she's perceived by the wrong people as knowing too much too soon, then it's possible that could be a very dangerous thing for her (and Kujo).

If there are factions at work here, I'm guessing that Miss Cecile is on the side of the angels, quietly trying to bollix up the works. Was (the real) Avril's father perhaps part of the "A" team as well? Is SHE looking for more than just adventure and an education?

Well, despite some suspicions about what might be going on here, I'm not even close to a narrative that accounts for all of these things. One of the things that would be helpful to know is if this is a story that has just grafted various Holmesian characteristics onto some of its characters, or whether it's supposed to actually be taking place in the fictional universe of Sir Arthur Conan Doyle's Sherlock Holmes. The one thing that still makes me think it might be the latter is the gold sovereign that Victorique holds as "so precious." That item is right out of the canon. This distinction is critical to the truth of Victorique's true origin, which I believe to be the hinge around which this tale turns.

But, of course, this is probably all just balloon juice, so pay it no never-mind!

 

 

Posted by: Dave Young at 02:31 AM | Comments (3) | Add Comment
Post contains 2025 words, total size 13 kb.

1 When Victorique was counting the steps, I thought she was counting in French. I didn't hear anything else.

Posted by: Steven Den Beste at February 10, 2011 09:31 AM (+rSRq)

2 And that's the issue that I was having with the first episode that has slowly started to pass. There are too many things that feel like they COULD be brilliant but are actually just cool things that are never fully explained. I'd like to think that this series is really headed somewhere but it's yet to do something to get me off of the 'just along for the ride' boat.

Posted by: LB at February 11, 2011 03:54 AM (zceI/)

3

Yeah, and I'm slowly giving up hope that it's much more than that - although I still feel there are a few of these items that have to be revisited.

Posted by: Dave Young at February 16, 2011 01:10 AM (ZAk0Z)

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